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Reproduction-no.: rba_d024979 Image credits: Rheinisches Bildarchiv Köln, Albers, Michael, 14.03.2012
Maillol, Aristide Joseph Bonaventure, Femme assise vor / before, Museum Ludwig, Köln, Inv.-Nr. ML 76/SK 0062
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Reproduction-no.: rba_mf090291 Image credits: Rheinisches Bildarchiv Köln
Maillol, Aristide Joseph Bonaventure, Femme assise vor / before, Museum Ludwig, Köln, Inv.-Nr. ML 76/SK 0062
Additional analogue pictures
- Photo no.: RBA 090 291
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These negatives/slides are analogous. They can be viewed in the Rheinische Bildarchiv. Please direct your inquiry to the office of the Rheinische Bildarchiv: rba@rbakoeln.de.
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Femme assise vor / before, (Seated Girl) 1907
Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0062, Überweisung Wallraf-Richartz-Museum 1976 HideMuseum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. The basis of the Ludwig Collection was unwittingly created by the Cologne lawyer Dr Josef Haubrich. In 1946 he entrusted the city with his important collection of works by the Expressionists and other representatives of 'classic' modernism. This donation was later transferred to the holdings of the Museum Ludwig. Since 2000, the Museum Ludwig has been notably involved in collecting and presenting technical media in the contemporary art context. Since 2001 the collection has expanded in the field of contemporary art by the inclusion of key works and integral groups of pieces, and today ranks with its almost 60,580 works among the leading museums for modern and contemporary art in Europe. http://www.museum-ludwig.de
© VG Bild-Kunst, Bonn 2021
Statuette
Bronze,
23 cm high
Provenance
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until 1934, Aloys Faust, Köln
• 1934-1946, Josef Haubrich, Köln
• 1946-1976, Wallraf-Richartz-Museum & Fondation Corboud, Köln, Inv.-Nr.: WRM Sk 0062 * (Gift 1946)
Inscription
Signatur, Rückseite (Sockel): AM (verschlungen)
Literature
Köln WRM, Bildwerke seit 1800, 1965, S. 53, Abbildung S. 190
Hide
Hildegard Westhoff-Krummacher und Peter Volk, Katalog der Bildwerke seit etwa 1800 im Wallraf-Richartz-Museum und im öffentlichen Besitz der Stadt Köln
edited by Gert von der Osten und Horst Keller
edited by Wallraf-Richartz-Museum & Fondation Corboud
(= Kataloge des Wallraf-Richartz-Museums, II)
Köln 1965
RBA WRM/16
Köln ML, Handbuch, 1979, S. 466, Farbabbildung S. 469
Hide
Adam C. Oellers
edited by Museum Ludwig
(= Handbuch Museum Ludwig, 1)
Kunst des 20. Jahrhunderts. Gemälde, Skulpturen, Collagen, Objekte, Environments
Köln 1979
RBA
Köln ML, Bestandskatalog II, 1986, S. 154-155
Hide
Gerhard Kolberg (Bearbeiter) und Evelyn Weiss (Bearbeiter), Museum Ludwig Köln. Gemälde, Skulpturen, Environments vom Expressionismus bis zur Gegenwart
edited by Siegfried Gohr
München 1986
KMB: Ya Köln 105 1986a
Köln ML, 20./21. Jahrhundert, 2018, S. 376 mit Abb.
Hide
Museum Ludwig. Kunst 20./21. Jahrhundert, Sammlung Malerei, Skulptur, Neue Medien
edited by Yilmaz Dziewior
edited by Museum Ludwig
Köln 2018
Further information
• Gattungsart: Rundplastik
Commentary1907 porträtierte Renoir Maillol und malte auch diese Statuette mehrfach (eines dieser Bilder befindet sich in der Sammlung Dina Vierny, Paris). Sie ist vermutlich kurz davor entstanden. Weitere Exemplare: Sammlung Lucle Manguin, Paris; Sammlung Dina Vierny, Paris (Edition Maillol; andere Sockelform und Größe); Privatbesitz Recklinghausen (1955).
Ikonographie
31 A 72, das weibliche Geschlecht; die Frau 41 D 22 1 (KERCHIEF), Kopfbedeckung 31 A 25 18, Hand in die Hüfte gestemmt 31 A 23 5, sitzende Figur
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