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Reproduction-no.: rba_d036318 Image credits: Rheinisches Bildarchiv Köln, Schlier, Britta, 2013:03:26 13:28:31
Beard, Richard, Bildnis eines jungen Mannes (John?), Museum Ludwig, Köln, Inv.-Nr. FH 00292
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WORK PHOTO
Reproduction-no.: ML_FH00292 Image credits: Rheinisches Bildarchiv Köln --- Picture hidden for legal reasons. ---
Beard, Richard, Bildnis eines jungen Mannes (John?), Museum Ludwig, Köln, Inv.-Nr. FH 00292
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WORK PHOTO
Reproduction-no.: ML_FH00292B Image credits: Rheinisches Bildarchiv Köln --- Picture hidden for legal reasons. ---
Beard, Richard, Bildnis eines jungen Mannes (John?), Museum Ludwig, Köln, Inv.-Nr. FH 00292
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WORK PHOTO
Reproduction-no.: ML_FH00292C Image credits: Rheinisches Bildarchiv Köln --- Picture hidden for legal reasons. ---
Beard, Richard, Bildnis eines jungen Mannes (John?), Museum Ludwig, Köln, Inv.-Nr. FH 00292
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WORK PHOTO
Reproduction-no.: ML_FH00292D Image credits: Rheinisches Bildarchiv Köln --- Picture hidden for legal reasons. ---
Beard, Richard, Bildnis eines jungen Mannes (John?), Museum Ludwig, Köln, Inv.-Nr. FH 00292
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WORK PHOTO
Reproduction-no.: ML_FH00292E Image credits: Rheinisches Bildarchiv Köln --- Picture hidden for legal reasons. ---
Beard, Richard, Bildnis eines jungen Mannes (John?), Museum Ludwig, Köln, Inv.-Nr. FH 00292
Additional analogue pictures
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- , Shooting date: 10.1998
These negatives/slides are analogous. They can be viewed in the Rheinische Bildarchiv. Please direct your inquiry to the office of the Rheinische Bildarchiv: rba@rbakoeln.de.
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Bildnis eines jungen Mannes (John?), around 1842
Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 00292, Ankauf 2005 HideMuseum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. The basis of the Ludwig Collection was unwittingly created by the Cologne lawyer Dr Josef Haubrich. In 1946 he entrusted the city with his important collection of works by the Expressionists and other representatives of 'classic' modernism. This donation was later transferred to the holdings of the Museum Ludwig. Since 2000, the Museum Ludwig has been notably involved in collecting and presenting technical media in the contemporary art context. Since 2001 the collection has expanded in the field of contemporary art by the inclusion of key works and integral groups of pieces, and today ranks with its almost 60,580 works among the leading museums for modern and contemporary art in Europe. http://www.museum-ludwig.de
Daguerreotypie
Kupferplatte
5,1 x 3,8 cm (lichtes Maß), 7,5 x 6 cm (mit Rahmen)
Provenance
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until 2005, Agfa Foto-Historama im WRM/ML, Köln, ehem. Inv.-Nr.: A ? (Loan since 1985)
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until 1955, Erich Stenger, Berlin (Purchase 1906/1955)
Inscription
Aufschrift, Rückseite: John Aufschrift, Rückseite: T. Wharton / No 791
Further information
• Blindprägestempel des königlichen, englischen Wappens, des Patentdatums und des Fabrikantennamens • Faktischer Entstehungsort: England, Faktischer Entstehungsort: London • Formtyp: Daguerreotypie mit Etui • Ikonographische Gattung: Porträtfotografie
CommentaryEine der frühesten Portraitdaguerreotypien. Zum aktuellen Forschungsstand, ob es sich bei den verso eingekratzten Namen um die Photographen oder die Abgebildeten handelt, siehe auch: Fisher, Robert B. "The Beard photographic franchise in England, S. 73-95, in The Daguerreian Annual 1992, Eureka C.A. 1992
Karin Rodrian
Ikonographie
61 B 11 1 (+5), Porträt einer anonymen historischen Person (allein)
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